Friday, December 4, 2020

Watch Solanges When I Get Home Film: Video

As part of your account, you’ll receive occasional updates and offers from New York, which you can opt out of anytime. By submitting your email, you agree to our Terms and Privacy Policy and to receive email correspondence from us. There are several actions that could trigger this block including submitting a certain word or phrase, a SQL command or malformed data. In addition to the album and film, On March 3, Solange’s Saint Heron imprint will be hosting “When I Get Home, A Special Album Experience,” at multiple venues across Houston. “I just want to thank you guys for allowing me the space to evolve, experiment and express new frontiers,” Solange said at the time of the program’s debut.

when i get home film solange

The Internet’s Steve Lacy also contributed production, which Solange hinted at when she previously told the Times that the two had been “jamming” together. "I'm so grateful for you guys allowing me the space and time. So so so grateful. Ima be celebrating all week long the coming of home 🖤." Solange’s themes of emotional strife and gendered expectations are intimately bound up with her concept of home. Houston is a palpable presence in the film, and Solange made sure that showings were available in familiar community spots in her hometown. Co-directed by Terence Nance , When I Get Home displays his deftness at handling the Black narrative across time and unknown spaces and territories; using Solange’s roots, he weaves intersecting threads, creating a future that can be home to Black people across the diaspora.

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Solange released her new album, When I Get Home, today after a rollout that lasted just one day. She followed the album release up by putting out its accompanying “Texas film” exclusively on Apple Music. The short film includes her entire new album, complete with richly realized visuals. The director’s cut of When I Get Home most notably boasts a new credits sequence, in which a group of people dressed in yellow robes move in unison around what looks like a rodeo arena/high art installation.

The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy. The intro to this interlude is a sample of an old YouTube video of Atlanta rappers Diamond and Princess (from Crime Mob, of “Knuck If You Buck” fame) fake-interviewing each other in the back of a car. Erica Gonzales is the Senior Culture Editor at ELLE.com, where she oversees coverage on TV, movies, music, books, and more. The album is a love-letter to Solange’s home town, Houston, Texas, and is narrated by various African-American women whom she grew up with.

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The extended director’s cut of her short film, When I Get Home, which features additional scenes and a new song. Fresh off the release of her highly anticipated fourth studio album, When I Get Home, the Grammy-nominated singer dropped an accompanying short film Friday . The director's cut of Solange's art film, When I Get Home, is now streaming on the Criterion Channel in honor of its two-year anniversary. There will be more online activations throughout the week on the singer's BlackPlanet page to continue the celebration too. You can reimmerse yourself in Solange’s visual work of art by way of the new director’s cut on Criterion Channel‘s official website.

If there’s one thing Solange does steadfastly is take stay true to herself in the spaces she is afforded, whatever that space is. You can grab a lifetime license to the full Microsoft Office suite for only $30, both for Windows or Mac. "Can I Hold the Mic" contains a sample from "BTS Crime Mob Footage" (aka "Diamond and Princess of Crime Mob Uncut!") used courtesy of Diamond and Princess. Video marketing Create and promote branded videos, host live events and webinars, and more. Solutions Video marketing Create and promote branded videos, host live events and webinars, and more. Discover the stars who skyrocketed on IMDb’s STARmeter chart this year, and explore more of the Best of 2022; including top trailers, posters, and photos.

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The film also premiered on Solange’s Black Planet page, a sly nod to recent history and one that forecasted our current pandemic-era “virtual” cultural paradigm. Solange premiered the film in nine local venues for members of the Black Houston community including "her mother's old hair salon; Unity National Bank, the only black owned Texas banking institution; and Emancipation Gym, the only public park open to African Americans in the Jim Crow era." In a year-end essay for Slate, Ann Powers cited When I Get Home as proof that the format is not dead but rather undergoing a "metamorphosis", with artists such as Solange utilizing the concept album through the culturally-relevant autobiographical narratives.

Music video director Alan Ferguson, filmmaker Terence Nance, visual artist Jacolby Satterwhite, and video director Ray Tintori contributed to the editing process with additional credit given to Autumn Knight and Robert Pruitt, according to Pitchfork. I came to Houston for the first time a year and a half ago when I began a new adventure as Artistic Director of the Houston Cinema Arts Society, right around the time When I Get Home was released. The album quickly became my muse and guiding light, and a celebration of my own Black American womanhood. Because of COVID-19, I haven’t been able to return to Houston, which I have fallen in love with, and so I stay and wait in New York City—my first love, where I was born and raised—and work from with folks in H-Town remotely.

Watch Solange’s ‘When I Get Home’ Short Film Here

The film accompanies all seventeen tracks in one continuous narrative or visual album with various aspects dedicated to Houston's history including its hip-hop scene, for instance, the chopped and screwed remix style and mixtapes of DJ Screw. The 17th track "Sound of Rain" is accompanied by a surreal, game-world animation akin to Second Life that features original artwork by Satterwhite. Elsewhere, Solange chops and screws her own voice on When I Get Home, like a modern-day version of scatting—listen for it. The album builds off her previous and third album A Seat at the Table, which was inspired by the poet Claudia Rankine’s opus Citizen. The music video for “Cranes in the Sky” from A Seat at the Table was shot by Director of Photography Arthur Jafa, who is one of our era’s most prominent chroniclers of Black America in films like Dreams are Colder Than Death and Love is the Message, The Message is Death.

In writing the album, Solange was inspired by the use of repetition in Stevie Wonder's The Secret Life of Plants as well as music by Steve Reich, Alice Coltrane, and Sun Ra. She also noted that the album was more focused on what she had to "feel", compared to A Seat at the Table's focus on what she had to "say". When I Get Home is the fourth studio album by American singer and songwriter Solange, released on March 1, 2019. It is the follow-up to her 2016 album A Seat at the Table and explores Solange's hometown of Houston, Texas. On February 27, 2019, Solange released a teaser video on social media, and shared the album's track listing on February 28.

The film installment ofWhen I Get Homebreathes visual life into the vocal release, and finds Solo returning home to Houston’s Third Ward. The Third Ward, an important area for Black history and contemporary Black culture in Houston, is where Solange staged multiple screenings of When I Get Home upon its premiere last year. Locations included Texan Tire and Wheel, the Black-owned Unity National Bank, the Ensemble Theatre, where she stared in The Wiz as a young person; Emancipation Park, without which Juneteenth would be nothing but a vague notion; and Vita Mutari, the hair salon her and her sister Beyoncé’s mother Tina Knowles-Lawson used to own, a kind of ground zero for Black society in Houston.

when i get home film solange

Jem Aswad at Variety wrote that "When I Get Home is a challenging and satisfying follow-up to A Seat at the Table, one that will probably baffle some fans but intrigue and engage even more". She added that "there are melodies slow enough to sink you into a state of tranquility, and beats hard and strong enough to push you to sway and dance while that happens". Uncut9/10At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, When I Get Home received an average score of 89, based on 25 reviews, indicating "universal acclaim". IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts.

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Like A Seat at the Table, Solange gave us little time to prepare for When I Get Home, mostly because sharing her art makes her antsy; drawing out the process would only make it worse. (“I have this fear living in my body about releasing work,” she told the Times. “I don’t know any artist that doesn’t feel that before they hit the send button.”) Instead, Solange reemerged on — of all places — BlackPlanet, bringing back from the presumed dead one of the original social-media platforms that was created specifically by and for black people. She launched her own page with lyric excerpts and a dossier of new images, both still and moving, that appear to be pieces of a larger visual project.

when i get home film solange

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